Yesterday’s Demons was not my first published work. That honor goes to Batman #455, cover dated October 1990. Did I write the main story in this issue? No. Did I write the backup story? No… it didn’t even have one. What I wrote and what was published in this issue was… a letter!
Dear KC and Denny,
I have just finished BATMAN #450 and I can only describe it in one word. WOW! The art was superb, as we have all come to expect from Jim Aparo, but the storyline was most excellent and intriguing. I could never imagine a Joker who couldn’t laugh at things, or refused to tell jokes. It will be very fascinating to see a three-way duel between the Joker, Batman, and Mr. Base. My only complaint is that Bruce shipped Tim off to Japan. Oh, well. I guess I would do the same after what the Clown Prince of Crime did to the old Boy Wonder.
Keep up the tremendous work — this is the best comic on sale today.
That right there is thirteen-year-old me trying to sound studious, professional, and about double my age at the time. If you want to know what I was really like at that age, check out the contribution I made to Uncanny X-Men #282 about one year later. Uncanny X-Men #282 features the first appearance of Bishop and the first appearance of my name in a Marvel comic. Here I am not making any effort at all to appear calm and rational. This is just me being the fourteen-year-old fanboy I was.
Concerning UNCANNY X-MEN #277, I can’t do a single thing until I write you on this issue. Incredible! First-rate! Phenomenal! Superlative! Gambit!
I know you’re sayng “Huh?” to this last remark, so let me explain. Gambit is my favorite X-Man and this issue featured him the most since #273, where the Wolvie fight was great. To see him say to the fake Wolverine, “Bang, you dead” nearly brought tears to my eyes. That’s how much I like Gambit. Keep him around for a long time, but keep him mysterious.
More reasons UNCANNY #277 was great. The script (“Bang, you dead”), the art (namely page 6, frame 7; page 19, frame 3, and, of course, page 24, frame 1), the return of Colossus in metal form (even if he is controlled by Shadow King. But could Piotr rejoin the X-Men? Please!), Gambit, Professor X’s return to Earth (do I see the leader the mutant teams need so badly?), Gambit, and Gambit.
You don’t know this, but I like Gambit.
So, make Colossus and Rogue X-Men again, and keep Gambit in the team. Or I’ll meet you in a dark alley and say, “Bang, you dead.”
Hoo boy, I should have won the Pulitzer for that one, shouldn’t I?
What I remember most about these letters is that I just knew both of them would be accepted for publication. I remember arriving at the comic book store’s parking lot the day Batman #455 was available and thinking to myself, “The letters on this issue’s editorial page will be about #450, and mine will be there.” And after I bought it, I remember returning to the car and just casually mentioning to my dad, “Yeah, so they published my letter in Batman.” And I just knew they were going to publish my Ode to Gambit in Uncanny X-Men, too. It was an early example of the intuition I would learn to listen to more often later in life.
Another memory of having these letters published was that they got me a pen pal! A man from Nigeria wrote me a letter after seeing my name and address published in Batman #455. I exchanged a couple of letters with him until the letters started to request that I ask “Mommy and Daddy” to send him money and American clothes. To make this easy for me, he even included his clothing sizes. It was like an early 90s, pre-Internet version of a Nigerian prince email scam.
I’m not sure whether or not they’re even still publishing letters to the editor in comic books these days. Maybe such discussion now takes place entirely on message boards and on Twitter. But having these letters printed in two of my favorite comic books sure was a thrill to me back when I was a teenager. And you know what? It still is.